artful decor

OfficeEverybody who sees the window shade in my office wants to know more about where I got it. I’ve shared the source before but something about seeing it in context makes all the difference. A stunning solution for hiding a most unpleasant view. And while shown above at night, during the day, back lit by the window, it glows like a light box — pretty fantastic I have to admit.

daytimeYou too can install window shades or make murals, wall hangings, pillows, lamp shades, ceramic tiles and more from a plethora of images available at Surface View out of London. They hold the rights to images from many of the worlds great museums like London’s National Gallery the home of my classic image, “The Surprise”.

You can choose from one of their standard sized solutions (a slightly cheaper option) or customize to nearly any size, crop and finish. It’s really quite simple using their online design tool and although they say 14 day delivery, be prepared for a slightly longer production time frame (up to 4 weeks) if you’re overseas.

There you go. Happy Shopping!

 

just for adults

Champagne PopsSeems our friends over the pond are onto something that is brilliant . . . Champagne Pops! What could be better on a hot summer eve than Champagne in push up popsicle form? I want to have a party right now and serve these yummy treats. 37% alcohol, 57 calories and all natural ingredients.

And look at these private label beauties for Fortnum & MasonFortnum & Mason

I absolutely love these.  Sadly they are only available only in the UK.

weekend agenda

If you happen to be in Paris this weekend definitely make an appointment to go see the home and painting studio of Le Corbusier.  And just in case you can’t make it there, here is a sneak peak how this master lived:

Corb 1Corb 2Corb 3Saturdays only. For reservations, contact Fondation Le Corbusier

le shopping

Le Shop GuideSometimes the best point of view on a place comes from somewhere else. This guidebook to shopping in Paris was written by an Australian fashion blogger based in Melbourne and as far as I can tell, Australia is the only place you can get your hands on a copy. I found mine not in Melbourne, but Hobart at the State Cinema Bookstore (AUS $39).

What I love about this book is it gives well researched and proven itineraries for day long shopping excursions around different neighborhoods and includes opening hours, metro stops, web addresses, handy tips & reviews from a trusted voice and nearby distractions like cafes, gardens or even manicure spots. All in a well designed package complete with photos, maps, illustrations and a sense of humor. Exactly what every girl wants.Paris Book Interiors

I’m madly devouring the contents of this book. Who knows, maybe a trip to Paris is in my future . . .

best little bridge in london town

Pawson Bridge

It meanders over the lake just a few feet above the water like a ribbon of granite and bronze with no apparent structure holding it in place — the setting for a simple amble across the water. From head on it appears to be a solid form while from the side, the individual balusters become apparent allowing for fragmented views of those passing over and the landscape beyond. It’s shear perfection. Beautifully conceived. Painstakingly detailed. And minimal to its core. I would expect nothing less from my most favorite of architects, John Pawson. Bravo!

Sackler Crossing
Royal Botanic Gardens
Kew (10 miles from central London)
Open Daily 9:30 AM til dusk

czech modern

Most people go to the Czech Republic for its historic fairy tale beauty. I went to Prague and nearby Brno primarily to see the modern side of things. Don’t get me wrong, it is just like a fairy tale. The medieval beauty is breathtaking and shouldn’t be missed. But there is some really amazing modern architecture to behold as well. In fact Prague was the only city in the world to experiment with cubism in the form of architecture. International Style architects built homes, planned communities, convention centers, restaurants, office buildings, department stores, and more — much of it remains in tact from before the Communist takeover making for exceptional specimens. In recent years, the likes of architects such as Frank Gehry have built contemporary masterpieces and there is a modern art and design scene to rival any emerging city. It is the combination of the old and new that makes this corner of the world a fantastic place to visit with endless things to see and do.

The Old:

The Cubist:

The Modernist:

The MasterpieceVilla Muller, Adolf Loos, Prague:

The Other MasterpieceVilla Tugendhat, Mies van der Rohe, Brno:

The Gehry:

The Contemporary:

The contemporary art:

The Shopping & Dining:

People say the shopping in Prague outside of the glass isn’t worth your time but i found differently. I shopped up a storm from clothing to home accessories and even food items.

Boheme Dusní 8, Praha 1, for really great unstructured women’s clothing, heavy on the knits.

ModernistaCeletná 12, Praha 1, for furniture, homewares and collectibles. They reissued the cubist box designed by Pavel Janek in 1911. It makes a lovely gift.

cubist box

Artél Celentná 29, Praha 1, for a modern take on Prague’s glass industry run by an American Expat.

Kubista Ovocný trh 19, Praha 1, for cubist inspired goods on the ground floor of the Cubist Museum. Don’t miss the Cafe Orient on the top floor.

Gold Pralines Ovocný trh 1096/8, Praha 1, for lovely chocolates

Strudle z tazeneho TestaJeseniova 29, Praha 3, for the most amazing home made strudel in three delicious flavors: apple (​jablecny), cheese (​tvarohovy), and poppy seed ​(makovy). I slipped a sheet of paper with my order written in Czech through the barred window of this tiny little one man, one item bakery along a residential street.

Then there is this wonderfully odd little string shop I happened across (Praha 5). It’s filled to the brim with string, twine, and rope of every imaginable size and color that doesn’t look like it’s been touched since the communist era. Yet still it’s in business today. Guess there’s a calling for string that I was unaware of. . .

string shop

While most say the food in Prague isn’t great either, I was again surprised to find the food to be quite good. You just need to venture off the tourist path. . .

Cafe Savoy, Vítězná 124/5, Praha 5 — a wonderful little cafe perfect for lunch with fabulous soups and a beautiful Art Nouveau interior lovingly restored.

Kogo, Havelská 499/27, Praha 1 — a favorite of locals for lunch or dinner. Pizza and more.

Aromi, Mánesova 1442/78, Praha 2  — a charming little Italian seafood restaurant. A real neighborhood place.

Helpful Hint:

prague-artel-style-paperback-cover-artThis guide book is one of the best I’ve ever come across. Written by the owner of Artél, the expat American, she gives expert advise on her adopted city from a creative person’s point of view. The information is extremely thorough (like instruction on which are the best cash machines to use in the airport) and written strictly from personal experience. She has tried every hotel, every restaurant and didn’t take any kick backs in her research. I was so impressed, I asked her to dinner and we talked the night away. I was surprised to be able to tell her that you can reserve a taxi up to a week in advance over the internet — I think she said she would put that detail in her next edition.

long lost designer

Way back when in my tiny little Los Angeles clothing boutique (A Red Wheelbarrow), I carried a young British designer by the name of Ally Capellino. Her clothes were beautiful and I still covet the pieces I have in my midst today. I always remember her stunning seasonal catalogs and for some reason, her address on Wardour Street in London — hoping, I think, to get back there some day.

All these years later I have come across the lovely and talented Ally Capellino once again, thanks to my friend Kim and both of their participation in the 2012 London Design Festival pop up shops. No longer an apparel designer and no longer on Wardour Street, Ally is now an accessories designer with the same eponymous company name & logo and two London stores — one East in Shoreditch and one West on Portabello Road.

I love the little map of her history (click image to enlarge) as it reminds me of that style of hers I once knew and loved so much. Oh, how I wish she still did apparel! But the bags are lovely too. Her shop is certainly on my list to visit next time in London.

images courtesy Ally Capellino

q & a: industrial facility

As the 2012 London Design Festival gets underway, I am pleased to present mrs. roper’s first interview with expat Kim Colin — one half of the dynamic duo behind the design firm Industrial Facility. Kim and I went to architecture school together back in her native California. Soon after graduation Kim moved to London to work for a noted publisher, fell in love, married, started a beautiful family and soon a successful design firm with her husband and partner Sam Hecht. This year, marks their 10 year anniversary in business together.

To celebrate, Industrial Facility is throwing open the doors of their studio as part of the festivities of London’s design week. On Saturday September 22 from 10 – 6, you can “Pop Down” to their digs in the Clerkwell Design District to meet the designers and see recent works, including their newest outdoor chair design for French company Tectona (above).

From September 19 – 23, their online arm Retail Facility is hosting a “Pop Up” shop at the Tramshed event located in Design Junction where you can purchase calculators, clocks, knives, dishwares and other design objects they’ve created. And if that weren’t enough, the team will also be debuting two newly commissioned Corian® park benches — part of a collaborative exhibition at the Victoria & Albert Museum to mark, coincidentally, the 10 year anniversary of the London Design Festival as well.

It is so wonderful to celebrate the success of Industrial Facility and an even bigger pleasure to share their good works. A big thanks to Kim for being my q & a guinea pig. That is after all, what friends are for!

q & a:

how did Industrial Facility come to be?

Industrial Facility was borne out of the meeting of two minds, from two different points of view with a common objective — the things we live with should consider each other, not be imagined as selfish, sole products. At the time, there was little thought to the context and cultural landscape of products, designers were looking at ‘objects’ and companies were being market research driven, not design driven. We decided to bring the spatial, performative and cultural together to make products we’d all want to keep around for longer.

10 years is a real milestone. what have been some of your favorite projects through the years?

I love projects that challenge what I already know, that ultimately teach me about our world either technologically or conceptually. Some of first projects we did for Muji that involved electronics (the Second Phone, Fan and Coffee Maker) taught me a lot about the specific discipline of industrial design. Coming from an architecture background, I had no knowledge of how to talk to factories to push their manufacturing abilities a little further. I learned a lot from Sam and Ippei’s conversations during these projects, on how to encourage change in industry to make cultural change. We don’t give sketches to engineers and say ‘here, you figure it out’– so our involvement is more like architecture where as designers we are respectful and knowledgeable enough to push.

I also loved working on the Branca chair with Mattiazzi because their expertise and devotion is so extraordinary. Seeing Branca in the world now, it has a life of its own. It’s a real accomplishment. It still seems structurally like a bit of a miracle and there’s a magic about that I enjoy.

We have a wonderful Danish client right now and it’s been a bonus to learn their view of the world and to see their extraordinary working environment. It’ll never be in the magazines because they’re too modest, but it has inspired us and our work in other areas, beyond the specific project we’re working on with them.

can you tell me a bit about your collaboration with iconic American furniture company Herman Miller?

We’ve been working with Herman Miller since around 2006, designing for them (Enchord table and storage/2008) and talking to them about design in an advisory capacity. Some of these discussions have both energized and inspired us in their intensity. We have deep affection for Herman Miller’s history and for the people in charge and great faith in their future. Projects do take a long time and we are working on some right now that are still under wraps. (Herman Miller is also the North American distributor for the Branca Chair.)

i’d love to hear more about how you work. how many people are in your studio and how to you split responsibilities?

Sam and I started Industrial Facility and asked our great friend Ippei Matsumoto to join us as Senior Designer when he finished his Masters at the Royal College of Art. Ippei and Sam had worked together before and the three of us made a strong foundation for our first years: one of us from the UK, one from Japan, one from the US. Now we are 7, and even more international, adding Germans and Finish to our list. People often ask how we divide up the work; who does what? Design offices are not corporations where people have specific job titles — designers in small studios are multi-taskers, for better or worse. We always say that every project has all of our minds in it, and that is important. Sam and I have learned that the work gets better when there is an open environment to make it better, but importantly there is never any ego involved. It is not a democracy — the best idea always wins, the discussions are ultimately productive and it doesn’t matter who starts or finishes the argument. Balance is important (in more than aesthetic ways) because we want the work to be lasting and relevant. We have 7 people in our studio now and we’re all designers.

what’s it like to be living, working, and raising a family in London? what are some of your favorite local design and food spots for our travelers out there?

Life is intense and very full in all ways. I feel like I rarely have time to get out and explore as much as I’d like, but these are some of my favorite spots:

how do you stay inspired?

Living in London is not easy; it’s costly, busy and the weather’s mostly dreary. Living in a truly international city is both exciting and frustrating, but it’s these tensions that keep the design mind alive. Sometimes I have to get out (probably all city dwellers feel the same way), and I escape to the sea in order to remind me of where I came from — In Los Angeles, that great expanse of sea signifies that all things are possible. The coastal landscapes of Sussex, Devon and Cornwall have kept me healthy. If I can’t get out of the city, I go to the top of Primrose Hill or for a walk on Hampstead Heath, no matter the weather.

just one more question . . . love is a recurring theme here at mrs. ropers musings. if it’s not too personal, can you share with our readers the story of how you two met and fell in love?

Sam and I met by chance one night, when the Eames exhibition opened at the Design Museum in London (1998). Ten years later, when our exhibition opened there in the same space where we met, we mentioned that ‘this is where the conversation began’. It was the best conversation I had in six months of living in London– in a very compressed amount of time, it revealed how we saw the world, and our hopes for it. I think we have an innate curiosity about how the other thinks. We are good compliments to each other, different but excited by difference and at the deepest level, we both want the best for each other. That’s a recipe for love.

                                                                                             

this just in

Recipease by Jaime Oliver, easily my favorite shop in London, opened a new location in Knotting Hill last week. I understand the new store is a huge two story affair — far different from the tiny shop I have frequented in Clapham Junction. But that’s just more room to stock fabulous Jme goods, offer more seats in the cafe, have more space dedicated to cooking classes, display more prepared foods and take & bake meals in the food cooler, and even more need to stroll around with a coffee or hot chocolate in hand — BTW, best hot chocolate I have ever tasted!

As images of the new store seem not to exist out there yet, here’s a peek at the Jme food items I brought home with me on my last visit. Isn’t the packaging wonderfully flirty?

  

I can’t wait to get back to London and check out the new digs and offerings!