Everybody who sees the window shade in my office wants to know more about where I got it. I’ve shared the source before but something about seeing it in context makes all the difference. A stunning solution for hiding a most unpleasant view. And while shown above at night, during the day, back lit by the window, it glows like a light box — pretty fantastic I have to admit.
You too can install window shades or make murals, wall hangings, pillows, lamp shades, ceramic tiles and more from a plethora of images available at Surface View out of London. They hold the rights to images from many of the worlds great museums like London’s National Gallery the home of my classic image, “The Surprise”.
You can choose from one of their standard sized solutions (a slightly cheaper option) or customize to nearly any size, crop and finish. It’s really quite simple using their online design tool and although they say 14 day delivery, be prepared for a slightly longer production time frame (up to 4 weeks) if you’re overseas.
There you go. Happy Shopping!
Seems our friends over the pond are onto something that is brilliant . . . Champagne Pops! What could be better on a hot summer eve than Champagne in push up popsicle form? I want to have a party right now and serve these yummy treats. 37% alcohol, 57 calories and all natural ingredients.
I absolutely love these. Sadly they are only available only in the UK.
It meanders over the lake just a few feet above the water like a ribbon of granite and bronze with no apparent structure holding it in place — the setting for a simple amble across the water. From head on it appears to be a solid form while from the side, the individual balusters become apparent allowing for fragmented views of those passing over and the landscape beyond. It’s shear perfection. Beautifully conceived. Painstakingly detailed. And minimal to its core. I would expect nothing less from my most favorite of architects, John Pawson. Bravo!
Royal Botanic Gardens
Kew (10 miles from central London)
Open Daily 9:30 AM til dusk
Way back when in my tiny little Los Angeles clothing boutique (A Red Wheelbarrow), I carried a young British designer by the name of Ally Capellino. Her clothes were beautiful and I still covet the pieces I have in my midst today. I always remember her stunning seasonal catalogs and for some reason, her address on Wardour Street in London — hoping, I think, to get back there some day.
All these years later I have come across the lovely and talented Ally Capellino once again, thanks to my friend Kim and both of their participation in the 2012 London Design Festival pop up shops. No longer an apparel designer and no longer on Wardour Street, Ally is now an accessories designer with the same eponymous company name & logo and two London stores — one East in Shoreditch and one West on Portabello Road.
I love the little map of her history (click image to enlarge) as it reminds me of that style of hers I once knew and loved so much. Oh, how I wish she still did apparel! But the bags are lovely too. Her shop is certainly on my list to visit next time in London.
images courtesy Ally Capellino
As the 2012 London Design Festival gets underway, I am pleased to present mrs. roper’s first interview with expat Kim Colin — one half of the dynamic duo behind the design firm Industrial Facility. Kim and I went to architecture school together back in her native California. Soon after graduation Kim moved to London to work for a noted publisher, fell in love, married, started a beautiful family and soon a successful design firm with her husband and partner Sam Hecht. This year, marks their 10 year anniversary in business together.
To celebrate, Industrial Facility is throwing open the doors of their studio as part of the festivities of London’s design week. On Saturday September 22 from 10 – 6, you can “Pop Down” to their digs in the Clerkwell Design District to meet the designers and see recent works, including their newest outdoor chair design for French company Tectona (above).
From September 19 – 23, their online arm Retail Facility is hosting a “Pop Up” shop at the Tramshed event located in Design Junction where you can purchase calculators, clocks, knives, dishwares and other design objects they’ve created. And if that weren’t enough, the team will also be debuting two newly commissioned Corian® park benches — part of a collaborative exhibition at the Victoria & Albert Museum to mark, coincidentally, the 10 year anniversary of the London Design Festival as well.
It is so wonderful to celebrate the success of Industrial Facility and an even bigger pleasure to share their good works. A big thanks to Kim for being my q & a guinea pig. That is after all, what friends are for!
q & a:
how did Industrial Facility come to be?
Industrial Facility was borne out of the meeting of two minds, from two different points of view with a common objective — the things we live with should consider each other, not be imagined as selfish, sole products. At the time, there was little thought to the context and cultural landscape of products, designers were looking at ‘objects’ and companies were being market research driven, not design driven. We decided to bring the spatial, performative and cultural together to make products we’d all want to keep around for longer.
10 years is a real milestone. what have been some of your favorite projects through the years?
I love projects that challenge what I already know, that ultimately teach me about our world either technologically or conceptually. Some of first projects we did for Muji that involved electronics (the Second Phone, Fan and Coffee Maker) taught me a lot about the specific discipline of industrial design. Coming from an architecture background, I had no knowledge of how to talk to factories to push their manufacturing abilities a little further. I learned a lot from Sam and Ippei’s conversations during these projects, on how to encourage change in industry to make cultural change. We don’t give sketches to engineers and say ‘here, you figure it out’– so our involvement is more like architecture where as designers we are respectful and knowledgeable enough to push.
I also loved working on the Branca chair with Mattiazzi because their expertise and devotion is so extraordinary. Seeing Branca in the world now, it has a life of its own. It’s a real accomplishment. It still seems structurally like a bit of a miracle and there’s a magic about that I enjoy.
We have a wonderful Danish client right now and it’s been a bonus to learn their view of the world and to see their extraordinary working environment. It’ll never be in the magazines because they’re too modest, but it has inspired us and our work in other areas, beyond the specific project we’re working on with them.
We’ve been working with Herman Miller since around 2006, designing for them (Enchord table and storage/2008) and talking to them about design in an advisory capacity. Some of these discussions have both energized and inspired us in their intensity. We have deep affection for Herman Miller’s history and for the people in charge and great faith in their future. Projects do take a long time and we are working on some right now that are still under wraps. (Herman Miller is also the North American distributor for the Branca Chair.)
i’d love to hear more about how you work. how many people are in your studio and how to you split responsibilities?
Sam and I started Industrial Facility and asked our great friend Ippei Matsumoto to join us as Senior Designer when he finished his Masters at the Royal College of Art. Ippei and Sam had worked together before and the three of us made a strong foundation for our first years: one of us from the UK, one from Japan, one from the US. Now we are 7, and even more international, adding Germans and Finish to our list. People often ask how we divide up the work; who does what? Design offices are not corporations where people have specific job titles — designers in small studios are multi-taskers, for better or worse. We always say that every project has all of our minds in it, and that is important. Sam and I have learned that the work gets better when there is an open environment to make it better, but importantly there is never any ego involved. It is not a democracy — the best idea always wins, the discussions are ultimately productive and it doesn’t matter who starts or finishes the argument. Balance is important (in more than aesthetic ways) because we want the work to be lasting and relevant. We have 7 people in our studio now and we’re all designers.
what’s it like to be living, working, and raising a family in London? what are some of your favorite local design and food spots for our travelers out there?
Life is intense and very full in all ways. I feel like I rarely have time to get out and explore as much as I’d like, but these are some of my favorite spots:
- Labour and Wait, Spitalfields [Market District]
- Dover Street Market, Rai Kawakubo’s upscale marketplace. Always worth a wander even if purchasing is off limits.
- The School of Life, Bloomsbury for their events
- The Buttery, Burgh House, Hampstead for quirky and lovely English tea in the garden
- Clerkenwell Kitchen for local lunch
how do you stay inspired?
Living in London is not easy; it’s costly, busy and the weather’s mostly dreary. Living in a truly international city is both exciting and frustrating, but it’s these tensions that keep the design mind alive. Sometimes I have to get out (probably all city dwellers feel the same way), and I escape to the sea in order to remind me of where I came from — In Los Angeles, that great expanse of sea signifies that all things are possible. The coastal landscapes of Sussex, Devon and Cornwall have kept me healthy. If I can’t get out of the city, I go to the top of Primrose Hill or for a walk on Hampstead Heath, no matter the weather.
just one more question . . . love is a recurring theme here at mrs. ropers musings. if it’s not too personal, can you share with our readers the story of how you two met and fell in love?
Sam and I met by chance one night, when the Eames exhibition opened at the Design Museum in London (1998). Ten years later, when our exhibition opened there in the same space where we met, we mentioned that ‘this is where the conversation began’. It was the best conversation I had in six months of living in London– in a very compressed amount of time, it revealed how we saw the world, and our hopes for it. I think we have an innate curiosity about how the other thinks. We are good compliments to each other, different but excited by difference and at the deepest level, we both want the best for each other. That’s a recipe for love.
Recipease by Jaime Oliver, easily my favorite shop in London, opened a new location in Knotting Hill last week. I understand the new store is a huge two story affair — far different from the tiny shop I have frequented in Clapham Junction. But that’s just more room to stock fabulous Jme goods, offer more seats in the cafe, have more space dedicated to cooking classes, display more prepared foods and take & bake meals in the food cooler, and even more need to stroll around with a coffee or hot chocolate in hand — BTW, best hot chocolate I have ever tasted!
As images of the new store seem not to exist out there yet, here’s a peek at the Jme food items I brought home with me on my last visit. Isn’t the packaging wonderfully flirty?
I can’t wait to get back to London and check out the new digs and offerings!